
Description:
Short Film, Film Score
Bauhaus Festival 2022 (Curator: John Harle).
As part of the Bauhaus Festival 2022, I produced two projects engaging with the ideas and legacy of the Bauhaus School.
Barbican Impression No. 22 [4min 4sec]
Our main artistic points of focus were Wassily Kandinsky’s theory of colour oppositions (1911)1 and Joan Miro’s practice of surrealist automatism.2
Kandinsky’s theory informed the graphic scores, in which we applied different arrangements of colour and form to invoke an emotional response to the Barbican’s key architectural features. We applied Miro’s automatic technique to our re-composition and arrangement of the recorded material, allowing ourselves to alter the piece without our usual concerns for balanced structure and inclusion of popular music tropes.
Barbican Impression No. 22 was one of the pieces selected by John Harle to be shown at the Bauhaus Festival in Silk Street Music Hall.
1 Kandinsky, Wassily. (1911). Über das Geistige in der Kunst. Munich: R. Piper & Co.
2 Frey, John G. (1936). Miro and the Surrealists. Parnassus, 8 (5): 13-15.
Venue:
Silk Street Music Hall
Collaborators:
Oscar Farrell, Nicola Perikhanyan, John Harle
Project Duration:
3 Months
Date:
May 20, 2022





Inflation [2min 53sec]
Inflation was created in collaboration with Nicola Perikhanyan. We rescored Hans Richter’s short film (1928) about financial unpredictability in the context of recent inflation in the UK. The soundtrack consists of sampled media coverage arranged into a semi-narrative form and an industrial techno score that at once responds to the gritty character of the film, the incessant progress of inflation and the harsh reality of living in the contemporary economy.